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There were a number of ragtime pieces
such as Temptation Rag (Henry Lodge) , Lion Tamer Rag (Mark Janza)
and Black and White Rag (Winifred Atwell) in which he described
the influence of the great Stefan Grossman whom we all tried to
imitate in the seventies but unlike Steve we never made it !
He included a fair number of blues
numbers by Willie Brown (Mississippi Blues), Doc Watson (Deep River
Blues), Mississippi John Hurt (Frankie and Albert), Mel Travis (Ninepound
hammer) and Chuck Berry (Downtown Stomp) all delivered with equal
panache. Then came the Celtic
tradition and a change of tuning to DADGAD for Londonderry Air,
Sally Gardens and Si Beag Si Mor.
If all this wasnt enough he
used a different guitar (made from Rosewood instead of Mahogany
according to the CD notes!) to play a variety of classical pieces
including Carolans Concerto (Francesco Gemiani), Arrival of the
Queen of Sheba (George Frederick Handel) and Satarello (using DFcgce
tuning with two capos !).
One other piece for which I did
not catch the title involved playing just harmonics but turning
the machine heads in between where that particular note was not
available in conventional tuning !
I hope I have conveyed the breadth
of Steves unique talent but if you visit his website www.stevehicksinstruments.com
you can read more about his music and listen to some audio clips
from his new album The Rope Dancer.
I hope we will see him again.
Review by Neil & Julie Smith
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